Venice exhibitions: I Macchiaioli from 8th march to 27th july at Franchetti Palace
Palazzo Franchetti
8th March -27th July 2008
The Masterpieces of Mario Tarangoni’s collection
Palazzo Franchetti in Venice has made a choice: the art collection. Last year the self-portraits from the Uffizi were exhibited. This year it is the time for another collector, namely Mario Tarangoni, a man of the Twentieth century who dealt with banks and business, who had a personal idea about the Italian painting of the Nineteenth century and with a probing patience, curiosity, passion and method, brought together a wide range of small masterpieces. Small for their dimensions, small for their intimate, sentimental, poetic character. Actually, they are great for the new look we can have at the most beautiful season of our modern artistic history.
Mario Tarangoni, who was a great middle-class man of the Thirties, had been the director of the Bank of America and Italy in Genova; he did not used to buy to invest. When he bought something, he bought as he was urged by that kind of curiosity we can at best define by means of the expression ‘falling in love’. The refined anthological collection related to the Tuscanian Nineteenth century, exhibited at Palazzo Franchetti, acquires a relevant scientific importance because it creates a perspective that, though not unknown, is, with no doubt, unusual as far as the movement of the macchiaioli is concerned. A new perspective, a point of view which are invented and experimented by a cultured collector who had read books, studied and evaluated critics, historians, art dealers, but who, then, ultimately, had been able to examine by means of his eyes and to decide with his mind and his heart.




The exhibition, that will open on 15th March 2008, is organized at the Palazzo della Ragione in Verona and it testifies, by means of paintings, glassware and photos from the Collection of Venice Foundation, the one-hundred-year-old relationship between Venice and the Biennale.
Last 11th March 2008 the presentation of Architecture Biennale 2008 “Out there. Architecture Beyond Building’’ took place. Like the very title of this exhibition suggests, according Aaron Betsky (photo), the new director of such sector, architecture is not building, on the contrary, buildings are frequently the tomb of architecture. The Biennale, then, must not be just a collection of works of art, just an exhibition, but it must be a cultural event involving everybody and thus playing a role inside society: it must get us to meditate and create opportunities for dialogue and change of ideas.
by means of sensuality and sensitivity, give form to the surrounding environment, yet it is true that we can enjoy ideal spaces in films, in art, -”There is much more architecture in a film by Antonioni than in Garretta!”. We can watch these spaces grow around us in the carefully planned landscapes that are our last true public spaces.
Including clothes, accessories and trompe-l’oeil creations, the eighty-plus pieces in this show are all made of paper.










